‘Closing Night’ Review: Sarah Paulson and Naomi Watts Lead a Deluxe Cast in a Shrill Family Melodrama in Search of a Binding Tone
Is actor-turned-director Cody Fern’s debut, Closing Night, intended as a refraction of John Cassavetes’ Opening Night, the 1977 Gena Rowlands vehicle about an actress grappling with a debilitating personal crisis? Seems likely, though that would be just one of several instances of the filmmaker’s aim exceeding his reach.



















