Universal Music Group has taken DistroKid to federal court, accusing the distributor of helping overwhelm streaming platforms with undisclosed AI-made music and other allegedly infringing uploads.

The lawsuit, filed Tuesday (Sept. 15) in Manhattan federal court, claims DistroKid has built part of its business through what UMG calls “illegal, deceptive and unlawful practices.” The music company alleges the distributor is contributing to a surge of “AI-generated slop” on services including Spotify, while presenting itself to the public as a distributor for legitimate artist-backed releases.

DistroKid, described in the source material as a major distributor valued at more than $2 billion that helps independent artists place music on streaming platforms, declined to comment through a spokesman on Tuesday.

UMG’s complaint frames the dispute as both a copyright case and a consumer-deception case. The company alleges DistroKid has distributed “mass AI-generated, SEO-optimized, and copyright-infringing slop” that is passed off as human-created music, diverting attention and royalties away from artists and rightsholders.

“Plaintiffs bring this action to stop DistroKid’s market-disorienting practices that mislead for its own gain at plaintiffs’ expense, and to remedy DistroKid’s massive infringement and continued efforts to build its business on the backs of Plaintiffs and their recording artists,” UMG’s lawyers write in the court documents quoted in the source material.

UMG says AI music is being disguised as real artist releases

At the center of the lawsuit is UMG’s claim that DistroKid is not merely distributing music at scale, but enabling a flood of artificial-intelligence-generated tracks that listeners may believe come from real artists. The complaint says the alleged conduct harms “artists, consumers, digital services, and plaintiffs.”

“DistroKid is flooding platforms with AI-generated ‘slop’ that siphons revenue and listeners from the legitimate artists and rightsholders,” UMG’s lawyers write.

UMG points to one alleged example involving an artist called “Lofi Chill,” which the lawsuit says released 4,562 tracks over a single twelve-month period. UMG characterizes that output as “the equivalent of 20-30 full-length albums every month,” adding in the complaint that it is “a pace no human musician could achieve.”

The lawsuit further alleges that some of these so-called artists are named in ways designed to appear in search results, violating platform policies and displacing legitimate tracks. UMG argues that consumers who encounter these recordings reasonably expect them to be legitimate artist-backed releases, not material generated by AI bot farms.

The company is also accusing DistroKid of enabling more traditional copyright infringement. According to the complaint, that includes allowing uploads of existing UMG tracks that have been sped up or remixed, as well as songs that place new vocals over existing recordings.

The case lands amid a wider streaming fight over AI

The filing arrives as the music business is confronting a rapid rise in AI-generated music. The source material notes that streaming royalties are divided from a finite revenue pool, meaning a large influx of AI tracks can reduce the proportion of money flowing to human creators, labels and publishers. It also notes that fans have increasingly expressed frustration about having to sift through such music as part of a broader backlash against AI.

Major platforms and industry organizations have already begun moving toward more disclosure. Spotify said last month that it would add labels to AI-generated artists. Apple said it would begin labeling songs that were “materially generated using AI.” The RIAA and other industry players are planning a new system for tagging AI-generated songs on streaming services, while a group of major labels and distributors signed onto a new “Streaming Integrity Initiative” this week aimed at reducing AI-fueled streaming fraud.

UMG’s complaint argues that DistroKid is a key part of that larger problem. In addition to federal copyright claims, the lawsuit accuses the company of breaching Delaware’s Deceptive Trade Practices Act by allegedly misleading the public about the nature of the music it distributes.

UMG is careful to draw a distinction between disclosed AI music and what it alleges DistroKid has done. The lawsuit states: “This lawsuit is not about the distribution of AI-generated music when clearly disclosed as such. This lawsuit is about DistroKid masquerading as something it is not and benefiting from that false impression.”

What happens next?

The case now moves forward in Manhattan federal court. For now, the central questions are whether UMG can prove its allegations that DistroKid enabled large-scale infringement and deception, and how the court will treat claims tied to undisclosed AI-generated music as the industry continues to push for labeling, tagging and anti-fraud measures across streaming platforms.